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Stage Fright
Love held its breath as sudden terror held the stage!
Love held its breath as sudden terror held the stage!
Thriller - 1950
Stage Fright
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A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.
Director:
Misery
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Shoot the Piano Player
Shoot the Piano Player
(1960)
Charlie is a former classical pianist who has changed his name and now plays jazz in a grimy Paris bar. When Charlie's brothers, Richard and Chico, surface and ask for Charlie's help while on the run from gangsters they have scammed, he aids their escape. Soon Charlie and Lena, a waitress at the same bar, face trouble when the gangster...
The Bourne Identity
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(2002)
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy...
The Bourne Supremacy
The Bourne Supremacy
(2004)
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a ...

Details

Runtime:
110 min
Release date:
23 Feb 1950
Country:
GB
Languages:
English
Budget:
$1,450,000
Revenue:
$1,900,000
Awards:
5 wins & 1 nomination total

Top Critics Reviews

fresh:
Hitchcock conjures a deep-rooted, irony-rich complicity of father and daughter that seems borrowed from the films of Howard Hawks and suggests the inner compass that helps to guard against chasing the wrong man.
– Richard Brody,
New Yorker,
10 Mar 2014
fresh:
Wyman is delightful as embryo actress but the choice femme spot goes to Dietrich.
– Variety Staff,
Variety,
4 Feb 2008
fresh:
The issues aren't satisfactorily resolved, but Hitchcock seems to be exploring the ways in which various falsehoods -- the falsehoods of acting, storytelling, and art in general -- can lead to the truth
– Dave Kehr,
Chicago Reader,
4 Feb 2008
rotten:
One is strongly suspicious, after watching this helter-skelter film, that Mr. Hitchcock was much less interested in his over-all story than in individual scenes.
– Bosley Crowther,
New York Times,
28 Jan 2006
fresh:
A fairly routine thriller, noted chiefly for its cheating flashback, though with much more to enjoy than its detractors -- including Hitchcock -- make out.
– ,
Time Out,
24 Jun 2006
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