Londoner Harry Fabian is a second-rate con man looking for an angle. After years of putting up with Harry's schemes, his girlfriend, Mary, becomes fed up when he taps her for yet another loan. His latest ploy, promoting an aging Greek wrestler, goes awry when the wrestler dies and everyone points the finger at Harry. Hiding out in a riverfront barge, Harry sees his grand ambitions spiral into a nightmare of fear and desperation as the underworld closes in.
Before he met Melina Mercouri and became an Artist, Jules Dassin made a number of worthwhile thrillers as a Hollywood contract director.
– Dave Kehr,
Chicago Reader,
1 Jan 2000
fresh:
A moody piece of Wellesian chiaroscuro (shot by Max Greene, ne Mutz Greenbaum) and an occasionally discomfiting underworld plunge.
– Michael Atkinson,
Village Voice,
25 Mar 2003
rotten:
Inclined to go over the top, it all too clearly contains the seeds of Dassin's later -- and disastrous -- pretensions.
– Tom Milne,
Time Out,
26 Jan 2006
rotten:
A pointless, trashy yarn.
– Bosley Crowther,
New York Times,
28 Jan 2006
fresh:
Jules Dassin, in his direction, manages extraordinarily interesting backgrounds, realistically filmed to create a feeling both of suspense and mounting menace.