Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.
If it begins deceptively, as though setting out to be your typically angst-ridden Swedish art movie, by the time it's reached its set of climaxes,Makavejev's film could not have strayed further from the beaten track.
– ,
Time Out,
24 Jun 2006
fresh:
A paean to the liberating power of dirt, as in both grime and smut.
– Dave Kehr,
Chicago Reader,
1 Jan 2000
rotten:
A halfheartedly Surreal comedy filled with forced high spirits, unconvincing lunacies and failed sight gags.
– Vincent Canby,
New York Times,
30 Aug 2004
fresh:
There can be something absolutely liberating about a movie that makes up its rules as it goes along.