If anything, the most vivid impression created by the movie is how much fun the word's use can potentially be and how its power is inevitably emboldened in direct proportion to the forces of decency lined up against it.
– Geoff Pevere,
Toronto Star,
1 Dec 2006
rotten:
But F*** gives short shrift to a question that many moviegoers may well ponder: How, exactly, has this word become a substitute for wit, or, in many movies, for dialogue?
– Moira MacDonald,
Seattle Times,
1 Dec 2006
rotten:
But in the end, F*CK is at most a compendium of opinions and examples, and never feels like a story.
– Jennie Punter,
Globe and Mail,
1 Dec 2006
fresh:
Anderson's glib approach is to the movie's advantage, allowing anything profound to seem unexpected.
– Wesley Morris,
Boston Globe,
8 Dec 2006
rotten:
The insight-neutral scrag ends of what feels like ten decent documentaries on censorship, semantics, social policy and broadcasting coalesce in this painfully self-satisfied and poorly made 'shock-doc'.