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Who Framed Roger Rabbit
It's the story of a man, a woman, and a rabbit in a triangle of trouble.
It's the story of a man, a woman, and a rabbit in a triangle of trouble.
Animation, Comedy, Crime, Family, Fantasy - 1988
7.7
97%
83
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect.
Director:
Who Framed Roger Rabbit
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(1985)
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(1990)
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tan...

Details

Rated:
PG
Runtime:
104 min
Release date:
21 Jun 1988
Country:
US
Languages:
English
Budget:
$70,000,000
Revenue:
$329,803,958
Awards:
Won 4 Oscars. 24 wins & 22 nominations total

Top Critics Reviews

fresh:
More than a technological wonder, Who Framed Roger Rabbit? is brilliantly funny, bracingly smart and surprisingly moving.
– Dave Kehr,
Chicago Tribune,
30 Jul 2013
fresh:
This is a movie that demands to be seen twice. The first time, one is likely to be dazzled to the point of exhaustion; the second time, one can appreciate the artistry and good humor more easily.
– Gene Siskel,
Chicago Tribune,
30 Jul 2013
fresh:
If the pleasures of Who Framed Roger Rabbit are mostly incidental, they are certainly more than considerable.
– Jay Boyar,
Orlando Sentinel,
30 Jul 2013
fresh:
Imagine watching cartoon characters and relating to them as if they were flesh-and-blood instead of paint-and-ink. This is the slap-happy effect of Who Framed Roger Rabbit, and - please - a 24-carrot salute to director Robert Zemeckis.
– Carrie Rickey,
Philadelphia Inquirer,
30 Jul 2013
fresh:
For audiences who grew up with cartoons as a natural part of their moviegoing, the shock may not be the mix of live and animated folk--it may come from the truly revolutionary sight of great icons of rival studios cheerfully rubbing shoulders.
– Sheila Benson,
Los Angeles Times,
30 Jul 2013
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