Vixen lives in a Canadian mountain resort with her naive pilot husband. While he's away flying in tourists, she gets it on with practically everybody including a husband and his wife, and even her biker brother. She is openly racist, and she makes it clear that she won't do the wild thing with her brother's biker friend, who is black.
The film that showed Meyer to have the most dynamic editing style in American cinema, and took him from nudie king to national monument via the most outrageous exploitation of bosom buddydom ever.
– ,
Time Out,
26 Jan 2006
fresh:
Russ Meyer's 1968 skin-flick is a hilarious, stylistically adroit compendium of middle-American preoccupations: breasts, fishing, anticommunism.