Europe 1990, the Berlin wall has just crumbled: Katrine, raised in East Germany, but now living in Norway for the last 20 years, is a “war child”; the result of a love relationship between a Norwegian woman and a German occupation soldier during World War II. She enjoys a happy family life with her mother, her husband, daughter and granddaughter. But when a lawyer asks her and her mother to witness in a trial against the Norwegian state on behalf of the war children, she resists. Gradually, a web of concealments and secrets is unveiled, until Katrine is finally stripped of everything, and her loved ones are forced to take a stand: What carries more weight, the life they have lived together, or the lie it is based on?
The personal drama is "I can't tell any more lies!" obvious, the international intrigue is lukewarm, and the big payoff, which should be a shocker, is so poorly staged as to be laughable.
– Colin Covert,
Minneapolis Star Tribune,
27 Mar 2014
fresh:
"Two Lives" is an absorbing, well-acted, moderately suspenseful mystery, although its time line of events is fuzzy to the point of impenetrability.
– Stephen Holden,
New York Times,
27 Feb 2014
fresh:
Two Lives unfolds in a slow boil of rage at the government that allowed all this emotional destruction. But Maas treats Katrine with compassion, as a victim of forces more damaging than her own ravenous hunger for love and family.
– Ella Taylor,
NPR,
27 Feb 2014
fresh:
This sober look into how war, peace and politics splintered lives is circuitous, but worth puzzling out.
– Joe Neumaier,
New York Daily News,
27 Feb 2014
fresh:
For an issue movie "Two Lives" is something of a nail-biter.