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There are only 923 words spoken in “Teorema” – but it says everything!
There are only 923 words spoken in “Teorema” – but it says everything!
Drama, Mystery - 1968
7.2
81%
N/A
A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
Theorem
Brokeback Mountain
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The Hours
(2002)
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
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Crash
(1996)
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
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Dog Day Afternoon
(1975)
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturale. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns int...
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The Talented Mr. Ripley
(1999)
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring sc...

Details

Rated:
Not Rated
Runtime:
95 min
Release date:
4 Sep 1968
Country:
IT
Languages:
Italian
Budget:
$0
Revenue:
$0
Awards:
1 win & 4 nominations

Top Critics Reviews

fresh:
What would be pretentious and strained in the hands of most directors, with Pasolini takes on an intense air of magical revelation.
– ,
Time Out,
9 Feb 2006
fresh:
Apart from his final feature, Salo, this is probably Pier Paolo Pasolini's most controversial film, and to my mind one of his very best.
– Jonathan Rosenbaum,
Chicago Reader,
1 Jan 2000
fresh:
I don't feel ready to write about this mysterious film; perhaps, a week from now, I'll decide it is very bad, a failure. But perhaps it is the most brilliant work yet by that strange director, Pier Paolo Pasolini.
– Roger Ebert,
Chicago Sun-Times,
23 Oct 2004
fresh:
The movie itself is the message, a series of cool, beautiful, often enigmatic scenes that flow one into another with the rhythm of blank verse.
– Vincent Canby,
New York Times,
9 May 2005
fresh:
The narrative, almost silent in the first half, is unusually clear for a film by Pasolini. Performance by all members of the cast are praiseworthy, though Stamp dominates the first half and Betti, the second.
– Variety Staff,
Variety,
23 Oct 2007
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