In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest route through the Sierra Morena. At an inn, the Venta Quemada, he sups with two Islamic princesses. They call him their cousin and seduce him; he wakes beside corpses under a gallows. He meets a hermit priest and a goatherd; each tells his story; he wakes again by the gallows. He's rescued from the Inquisition, meets a cabalist and hears more stories within stories, usually of love. He returns to Venta Quemada, the women await with astonishing news.
These trials suggest a goofy, sprawling, all-purpose allegory so overstuffed with symbolism that it plays as a kind of epic spoof of the form.
– Stephen Holden,
New York Times,
1 Jan 2000
fresh:
Infus[es] a similar unearthly cadenceo the swashbuckling genre that Jodorowski did to the western with El Topo.
– Derek Adams,
Time Out,
24 Jun 2006
fresh:
By any standard, a long strange trip.
– J. Hoberman,
Village Voice,
2 Apr 2008
fresh:
The director's eye for baroque black-and-white imagery puts him behind only Bava and Welles, while the film's sharp social satire gives heft to its ambition.