A young refugee of the Sudanese Civil War who wins a lottery for relocation to the United States with three other lost boys. Encountering the modern world for the first time, they develop an unlikely friendship with a brash American woman assigned to help them, but the young man struggles to adjust to this new life and his feelings of guilt about the brother he left behind.
It's often earnest to a fault and fearful of its deeper, darker implications. Still, you won't leave The Good Lie unmoved. Its heart really is in the right place,
– Peter Travers,
Rolling Stone,
3 Oct 2014
fresh:
If a moviegoer can't cry for the great tragedy of these Sudanese children, and be touched by their small victories, then who on earth deserves our tears and cheers?
– Richard Corliss,
TIME Magazine,
16 Oct 2014
fresh:
A well-told tale that illuminates the experiences of the 20,000 "lost boys" (and girls) of Sudan, with such grace, insight and humor, it can be forgiven a few simplifying liberties taken in the name of moving the narrative along.
– Kristin Tillotson,
Minneapolis Star Tribune,
16 Oct 2014
fresh:
The main characters are played by actual refugees-two of whom were child soldiers-and their uninflected, authoritative performances compensate for the feel-good simplifications of Margaret Nagle's script.
– Ben Sachs,
Chicago Reader,
23 Oct 2014
rotten:
There's a sense that The Good Lie wants to say something profound but the message is as muddled as its delineation of history is.