Greenaway, the bemused, coolly ironic truth-teller, has painted a cruel portrait for a cruel time.
– Hal Hinson,
Washington Post,
1 Jan 2000
fresh:
It doesn't simply make a show of being uncompromising -- it is uncompromised in every single shot from beginning to end.
– Roger Ebert,
Chicago Sun-Times,
1 Jan 2000
fresh:
A work so intelligent and powerful that it evokes our best emotions and least civil impulses, so esthetically brilliant that it expands the boundaries of film itself.
– Caryn James,
New York Times,
20 May 2003
rotten:
For a Jacobean-style drama about deadly emotions, the film lacks passion; only in the final half-hour, with Michael Nyman's funereal music supplying a welcome gravity, does it at last exert a stately power.
– Geoff Andrew,
Time Out,
24 Jun 2006
fresh:
Albert is one of the ugliest characters ever brought to the screen. Ignorant, over-bearing and violent, it's a gloriously rich performance by Gambon.