Turin, 1969. Nine-year-old Massimo’s idyllic childhood is shattered by the mysterious death of his mother. The young boy refuses to accept this brutal loss, even if the priest says she is now in Heaven. Years later in the 90s, adult Massimo has become an accomplished journalist. After reporting on the war in Sarajevo, he begins to suffer from panic attacks. As he prepares to sell his parents’ apartment, Massimo is forced to relive his traumatic past. Compassionate doctor Elisa could help tormented Massimo open up and confront his childhood wounds…
Bellocchio stages a gentle, eminently watchable return to some of the key themes that have haunted his 50 years of filmmaking, particularly the scarring left by a dysfunctional family and maternal love gone awry.
– Deborah Young,
Hollywood Reporter,
12 May 2016
rotten:
The film is composed of several exquisite stand-alone sequences unsatisfactorily strung together on a thin cord of mother love, in a story of a middle-aged man unable to overcome the loss of his mother when he was nine.
– Jay Weissberg,
Variety,
12 May 2016
rotten:
Berenice Bejo, who shows up late in the going as the protagonist's lover, makes the lead actor look even less charismatic by comparison.