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Safety Last!
You're Going to Explode With "Safety Laughs" when You see This Fun Bomb.
You're Going to Explode With "Safety Laughs" when You see This Fun Bomb.
Comedy, Romance, Thriller - 1923
Safety Last!
N/A
N/A
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When a store clerk organizes a contest to climb the outside of a tall building, circumstances force him to make the perilous climb himself.
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(1950)
The story of Elwood P. Dowd who makes friends with a spirit taking the form of a human-sized rabbit named Harvey that only he sees (and a few privileged others on occasion also.) After his sister tries to commit him to a mental institution, a comedy of errors ensues. Elwood and Harvey become the catalysts for a family mending its wound...
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A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.
Er kann's nicht lassen
Er kann's nicht lassen
(1962)
Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is u...

Details

Runtime:
73 min
Release date:
12 Mar 1923
Country:
US
Languages:
xx
Budget:
$121,000
Revenue:
$1,500,000
Awards:
4 wins & 1 nomination

Top Critics Reviews

fresh:
This Harold Lloyd high-class low comedy has thrills as well as guffaws.
– Variety Staff,
Variety,
11 Mar 2009
fresh:
The clock-hanging climax that caps this generally charming tale of a country boy out to make his fortune in the big city is a superb example of his ability to mix suspense and slapstick.
– Geoff Andrew,
Time Out,
24 Jun 2006
fresh:
The Glasses character in Safety Last would have blended with the background of the department store where he worked if it had not been for action imposed upon him. But what action!
– Roger Ebert,
Chicago Sun-Times,
20 Jan 2006
fresh:
The other great silent comics defined their own worlds; Lloyd lives dangerously in ours.
– Dave Kehr,
Chicago Reader,
1 Jan 2000
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