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Red Knot

An antarctic love story
An antarctic love story
Drama - 2014
Red Knot
5.3
89%
61
Peter and Chloe, a young married couple from New York, decide on impulse to take a belated honeymoon on-board a research vessel en route to the icy wastes of Antarctica. Not long into the journey, Chloe begins to feel neglected and betrayed by Peter, who is focused on gathering information for an article he plans to publish on their return about the work of one of their fellow passengers, the whale biologist Roger Payne. After an unforgivable betrayal of trust by Peter, Chloe turns their fledgling marriage upside down by moving into her own room and staking out her independence onboard the ship. Drawing attention to the poles within each of us, the impressionistic story oscillates between the super-confined interiors of the ship and the vast open spaces of Antarctica. In the end, it's not until Chloe and Peter are lost - perhaps literally, perhaps metaphorically - in the Antarctic ice that they discover how essential one is to the other.
Director:

Details

Rated:
Not Rated
Runtime:
82 min
Release date:
31 May 2014
Country:
AR, US
Languages:
English
Budget:
$80
Revenue:
$0
Awards:
1 win total

Top Critics Reviews

rotten:
Stage director Scott Cohen, here making his debut as a feature filmmaker, places far too much faith in the ability of his actors to elicit and sustain audience interest while improvising their way through the tissue-thin narrative he has provided them.
– Joe Leydon,
Variety,
5 Dec 2014
fresh:
It's no surprise that first-time director Scott Cohen is a nature photographer by trade: he's made one of the most gorgeous movies you'll see this year.
– Elizabeth Weitzman,
New York Daily News,
5 Dec 2014
fresh:
Not trusting his film's paranoid atmosphere to be sufficient, Mr. Cohen clumsily inscribes his influences.
– Ben Kenigsberg,
New York Times,
4 Dec 2014
fresh:
Red Knot exhibits such spot-on, heartbreaking honesty about behaviors that tear many couples apart ... that it's easy to forgive Cohen his metaphorical excesses.
– Sam Weisberg,
Village Voice,
2 Dec 2014
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