Mel Gibson and Rene Russo put an edgy 1990s spin on the roles originally played by Glenn Ford and Donna Reed.
– John Hartl,
Seattle Times,
22 Jan 2014
rotten:
With a mechanical movie like this, filmmakers -- male or female -- can't take chances. Howard and company are hostages to their own conception.
– Jay Boyar,
Orlando Sentinel,
22 Jan 2014
rotten:
That's interesting stuff, but it doesn't play out with a lot of smarts. And the opportunity to end Ransom on a creepy note of unpredictability is forsaken for the usual glass-shattering, bullets-flying finale.
– Steven Rea,
Philadelphia Inquirer,
22 Jan 2014
rotten:
There are more climaxes in here than in a Swedish blue movie. This is not to say you won't be thrilled, charged up and put through the ringer at times, but your intelligence will need to be shoved under your seat like warm, flat soda.
– Desson Thomson,
Washington Post,
22 Jan 2014
fresh:
The special nature of this story is its many climaxes that border on false endings and also how Gibson's character responds to the ransom demand of $2 million.... it is Gibson who sells us on it and sells it well.