When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
Above all, the film is remarkable in that it strengthens rather than dilutes Shaw's insistence on language as the vital instrument of power and oppression.
– ,
Time Out,
24 Jun 2006
fresh:
Pygmalion is good Shaw and a grand show.
– Frank S. Nugent,
New York Times,
20 May 2003
fresh:
A marvelous 1938 adaptation of the Shaw classic.
– Don Druker,
Chicago Reader,
6 Nov 2007
fresh:
Smartly produced, this makes an excellent job of transcribing George Bernard Shaw, retaining all the key lines and giving freshness to the theme.