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Prêt-à-Porter
Sex. Greed. Murder. Some things never go out of style.
Sex. Greed. Murder. Some things never go out of style.
Comedy - 1994
5.2
24%
48
During Paris Fashion Week, models, designers and industry hot shots gather to work, mingle, argue and try to seduce one another.
Director:
Prêt-à-Porter
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Léon: The Professional
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Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
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Three Colors: Blue
(1993)
The wife of a famous composer survives a car accident that kills her husband and daughter. Now alone, she shakes off her old identity and explores her newfound freedom but finds that she is unbreakably bound to other humans, including her husband’s mistress, whose existence she never suspected.
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Three Colors: Red
(1994)
Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.
Prêt-à-Porter
The 400 Blows
(1959)
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even m...

Details

Rated:
R
Runtime:
133 min
Release date:
23 Dec 1994
Country:
US
Languages:
French, Italian, Russian, Spanish, English
Budget:
$15,000,000
Revenue:
$11,300,653
Awards:
3 wins & 3 nominations

Top Critics Reviews

rotten:
Though it credits Mr. Altman and Barbara Shulgasser as writers, this film seems practically scriptless, to the point where much of it plays like a first rehearsal.
– Janet Maslin,
New York Times,
17 May 2004
rotten:
The picture is not a social satire. It's a mess.
– Rita Kempley,
Washington Post,
1 Jan 2000
rotten:
Altman and his writer, former Chicago Sun-Times reporter Barbara Shulgasser, should have gone further and been meaner; too many of his jokes are generic slapstick, instead of being aimed squarely at industry's targets.
– Roger Ebert,
Chicago Sun-Times,
1 Jan 2000
rotten:
Despite some delicious moments, this sluggish, overlong, halfhearted satire feels like a movie that wanted to go somewhere but never got there.
– James Berardinelli,
ReelViews,
1 Jan 2000
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