After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.
There are moments of breathtaking visual creativity, from the not-quite-freeze-frames over the opening credits to a series of confrontational close-ups when things turn violent.
– Tom Huddleston,
Time Out,
9 Feb 2006
fresh:
It gets back into the groove of Hollywood thrillers, after the recent glut of spies, counterspies, funny spies, anti-hero spies and spy-spier spies.