Pirates of the Caribbean: At World's End
At the end of the world, the adventure begins.
At the end of the world, the adventure begins.
Action, Adventure, Fantasy
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2007
Available on
Country
After losing Captain Jack Sparrow to the locker of Davy Jones, Will Turner, Elizabeth Swann, and Captain Barbossa journey to the ends of the earth to rescue him. And as the East India Trading Company tightens its grip on the seas under Lord Cutler Beckett—now in control of Davy Jones—the fate of piracy hangs by a thread. Now, they must unite the pirate lords for one final stand. But as loyalties are tested and alliances shift, each must ultimately choose where they stand in the battle for freedom on the high seas.
Director:
Cast:
Similar
Same Director
Details
Runtime:
169 min
Release date:
19 May 2007
Country:
US
Languages:
English
Budget:
$300,000,000
Revenue:
$961,691,209
Awards:
Nominated for 2 Oscars. 23 wins & 51 nominations total
Top Critics Reviews
rotten:
Mind-bogglingly, there's virtually no swordplay for the first two hours; when Keith Richards shows up for his soused cameo, the visual joke hangs in the air.
– Joshua Rothkopf,
Time Out New York,
30 Jun 2007
rotten:
Advice to Johnny Depp fans: enjoy a seafood dinner, skip the beginning, and roll up after half an hour. You won't have missed a thing.
– Anthony Lane,
New Yorker,
30 May 2007
rotten:
The entire franchise seems on the verge of collapse, propelled to construct ever more grandiose flights of fancy. Without those sequences, there would be nothing there -- but a movie cannot exist on rollick alone.
– Tom Charity,
CNN.com,
27 May 2007
rotten:
The plot is not only hard to follow, there seems to be nothing real at stake. Half the characters are already dead, and half the movie seems to involve swordfights with dead people who can't be killed with swords.
– David Ansen,
Newsweek,
25 May 2007
rotten:
Not so much thought out as strung together -- colorful incident upon colorful incident, but without logic, gathering suspense or any attempt to establish emotional connections between audience and actors.
– Richard Schickel,
TIME Magazine,
25 May 2007