Wong is the kind of gorgeous that burns right through a camera lens, and the kind of mesmerizing that seems without effort or end.
– Janice Page,
Boston Globe,
19 Mar 2004
fresh:
[Wong's] role of Shosho, the red-hot dancing star of London's Piccadilly nightclub, shows her at her dramatic and erotic peak.
– Michael Wilmington,
Chicago Tribune,
25 Mar 2004
fresh:
A swinging London club; the breakup of a famous performing couple; a well-known dancer being replaced by one younger and more exotic; a murder. All juicy fodder for plot, and it's a good thing.
– Marta Barber,
Miami Herald,
23 Apr 2004
fresh:
Music is the usual medley of pop dance stuff, with the cabaret set about the best thing in the production. Camerawork on close-ups is excellent.
– Variety Staff,
Variety,
26 Mar 2009
fresh:
Dupont has an original way of employing camera movement to suggest erotic chemistry between characters, and Wong, who even provoked a rave notice from Walter Benjamin, is as memorable and confident as Louise Brooks was in the films of G.W. Pabst.