Jean-Baptiste Grenouille, born in the stench of 18th century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. However, his work takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.
Tykwer loses his cinematic grip when he tries to blend murder and piety. In his hands, the two don't emulsify.
– Carrie Rickey,
Philadelphia Inquirer,
11 Jan 2007
rotten:
Perfume: The Story of a Murderer is another nauseous example of style over content: a toxic tale of serial homicide set in 18th-century France that creeps you out faster than it makes you think.
– Rex Reed,
New York Observer,
10 Jan 2007
rotten:
Hated this movie. Hated it.
– Richard Roeper,
Ebert & Roeper,
8 Jan 2007
fresh:
Perfume: The Story of a Murderer never tries to make Jean-Baptiste sympathetic but he's not rendered monstrous, either: He just is a victim of a passion larger and more powerful than any one man can handle.
– Rene Rodriguez,
Miami Herald,
5 Jan 2007
fresh:
[The filmmakers] render a portrait of Paris that both delights and overwhelms the senses. This is a movie where eyes turn into noses, which may run at the many ghastly sights presented.