Jacques Rivette's troubled and troubling account of Parisians in the late 50s remains in some ways the most intellectually and philosophically mature of them as well as one of the most beautiful.
– Jonathan Rosenbaum,
Chicago Reader,
1 Jan 2000
fresh:
By no means this great filmmaker's best, it's still an auspicious beginning.
– Trevor Johnston,
Time Out,
24 Jun 2006
rotten:
All this is overblown, making it pretentious, slow-moving and fairly confused. It takes much too long to tell its over-complicated story.