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One False Move
All it takes to bring him down is one bullet... one woman or... One False Move.
All it takes to bring him down is one bullet... one woman or... One F...
Crime, Drama, Thriller - 1992
One False Move
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$29.95
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7.1
94%
87
Following a series of drug deals and murders, three criminals -- Fantasia, Ray Malcolm and Pluto -- travel from Los Angeles to Houston, finally arriving in a small Arkansas town to go into hiding. Two detectives from the LAPD, who are already on the case, contact the town's sheriff, Dale Dixon, to alert him of the fugitives' presence in the area. Underestimating Dixon, the criminals have no idea what they are about to face.
Director:
,
Carl Franklin
Cast:
,
Billy Bob Thornton
,
Bill Paxton
,
Natalie Canerday
,
Jim Metzler
,
Cynda Williams
,
Michael Beach
,
Earl Billings
,
Jimmy Bridges

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7.1
Go to R. Tomatoes

94%

87

Details

Rated:
R
Runtime:
105 min
Release date:
8 May 1992
Country:
US
Languages:
English
Budget:
$0
Revenue:
$1,543,112
Awards:
8 wins & 8 nominations

Top Critics Reviews

fresh:
The biggest difference between One False Move and most other action films is the sting in its violence. There is so little stylization here -- so little gimmickry -- that when someone is shot or knifed, you feel it.
– Jay Boyar,
Orlando Sentinel,
6 May 2013
fresh:
Everything about this movie -- the terse writing, the concise directing, the smart, unaffected acting -- is eminently satisfying.
– Steven Rea,
Philadelphia Inquirer,
6 May 2013
fresh:
Skillfully performed and welcomely unpredictable, this low-budget crime film, made by actor turned director Carl Franklin, starts out as a herky-jerky exploitation piece, then turns into something better.
– Michael Sragow,
New Yorker,
6 May 2013
fresh:
For most of the way, One False Move is taut and sure-footed.
– Peter Rainer,
Los Angeles Times,
6 May 2013
fresh:
Franklin's convincing portrait of life on both sides of the color line isn't quite like anything I've come across before, making One False Move one very assured directorial move. We need more filmmakers like him.
– Michael Upchurch,
Seattle Times,
6 May 2013
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