Ellen Wheeler, a rich widow, is recovering from a nervous breakdown. One day, while staring out the window, she witnesses a murder. But does anybody believe her?
Elizabeth Taylor, and about time, has got herself a good picture and a whodunit at that
– Howard Thompson,
New York Times,
9 May 2005
fresh:
Lucille Fletcher's Night Watch isn't the first average stage play to be turned into a better than average film. Astute direction and an improved cast more than help.