It is this technical laziness as much as the stupid story or the dumb direction that leaves the film in limbo and places it in neither one camp nor the other - neither with Attack of the 50-Foot Woman nor with Flopsy, Mopsy and Cottontail.
– Roger Greenspun,
New York Times,
10 May 2005
rotten:
Impossible not to admire the total withholding of irony in Claxton's approach to this kamikaze project.