At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.
Too often, though, the film plods along on the ground.
– Peter Rainer,
Christian Science Monitor,
27 Aug 2010
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Lovely and astounding, Mao's Last Dancer is a modern epic of art and ambition triumphing oppression.
– Tom Long,
Detroit News,
27 Aug 2010
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Australian director Bruce Beresford handles the culture-clash aspects of the story with a surprising lack of subtlety.
– Joe Williams,
St. Louis Post-Dispatch,
3 Sep 2010
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Feel-good movie about a Chinese dancer presses all the right buttons.
– Peter Brunette,
Hollywood Reporter,
10 Sep 2010
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Bruce Beresford's biopic of Li Cunxin, the Chinese ballet dancer who defected while on a student visa in Houston in 1981, is sometimes the movie equivalent of Oscar Meyer cold cuts. But the dancing is pure caviar.