Slowly, surely this composite portrait of Chet then and now (or in 1987, when Weber shot the film) reveals its own depths.
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Let's Get Lost
Overview
Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.
Director and cast
Critics on Rotten Tomatoes
Top critics, in their words
Let's Get Lost is an atmospheric black-and-white portrait of a jazz trumpet player, an exemplar of West Coast 'cool jazz' in the age when rapid-fire bebop was hot, whose life, career and face were ruined by his various addictions.
There are moments in Let's Get Lost when, if you squint just a little, [Chet] Baker is a ghost image of his former self, the 1950s musical equivalent of James Dean.
Watching Let's Get Lost, shot in a liquid black-and-white, we are lost in a monotonal, gorgeously shot reverie about Chet Baker, the jazz trumpeter whose alabaster-smooth, pretty face and plaintive tones broke hearts.
First released in 1989, Let's Get Lost -- shot in the high-contrast black-and-white that's a hallmark of Weber's still photography -- is well worth revisiting on the big screen.
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