In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean‑Pierre Melville, Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology.
Le samourai expresses a kind of loneliness to be sure, but it's that of a teenage male dreaming about Hollywood movies and their accoutrements -- penthouse apartments, acerbic cops, melancholy city streets, smoky card games, fancy jazz nightclubs.
– Jonathan Rosenbaum,
Chicago Reader,
1 Jan 2000
fresh:
[Melville's] style remains haunting and elegantly spare, just right for the kind of hit man who lives in silence, in bare and colorless surroundings, with a lonely caged bird.
– Janet Maslin,
New York Times,
20 May 2003
fresh:
Melville's film had a major influence in Hollywood.
– Derek Adams,
Time Out,
24 Jun 2006
fresh:
Delon's inscrutable presence adds to an unnerving atmosphere of anticipation. You feel that something bad could come crashing into the frame at any second. And you would be right.
– Colin Covert,
Minneapolis Star Tribune,
8 Oct 2009
fresh:
Cold, masterly, without pathos, and not even particularly sympathetic; it has the noble structure of accuracy.