In the remote and undeveloped eastern Black Sea region, a six-year-old boy (Yusuf) wanders through the woods searching for his lost father, trying to make sense of his life.His father is a beekeeper whose bees have disappeared unexpectedly, threatening his livelihood. A bizarre accident kills the father.There is little dialogue or music in the film. The three main characters (Yusuf and his parents) are all fairly taciturn, and the soundtrack is filled out with the sounds of the forest and the creatures that live there.The environment is a recurring theme.
Though this graceful film is a minor addition to the canon of Middle Eastern cinema in which nothing and everything happens, Bal is still a beauty.
– Ella Taylor,
Village Voice,
22 Mar 2011
fresh:
The tight framing of Kaplanoglu's fixed-camera tableaux and the film's almost supernatural colors lend the scenes a glimmer of deadpan wit, as if they've been intensified and distorted by the prism of memory.
– Sam Adams,
AV Club,
24 Mar 2011
fresh:
Like the viewer, Mr. Kaplanoglu is quite happy to let nature do the talking and cast a lyrical, mysterious spell.
– Andy Webster,
New York Times,
24 Mar 2011
fresh:
A thoughtful and intelligent film, and should appeal to adventurous souls.
– V.A. Musetto,
New York Post,
25 Mar 2011
fresh:
Filming in long, meticulously sculpted takes, Kaplanoglu is especially good at emphasising elements within the frame with inventive use of focus and the positioning of the camera.