Jill Conway is trying to rebuild her life after surviving a terrifying kidnapping attempt. Though she is having a difficult time, she takes small steps toward normalcy by starting a new job and inviting her sister, Molly, to move in with her. Returning home from work one morning, Jill discovers that Molly has vanished, and she is certain that the same man who previously abducted her has returned for revenge.
No money should ever change hands in any Gone-related interaction, unless it is because you are buying matches and gasoline to set all the copies of it on fire.
– Eric D. Snider,
Film.com,
26 Feb 2012
rotten:
A movie that makes "Murder on the Orient Express" feel like"The Silence of the Lambs"by comparison.
– Glenn Whipp,
Los Angeles Times,
27 Feb 2012
rotten:
It's a significant letdown that after all Jill's running, and all the guessing Seyfried makes us do, the climactic confrontation plays like an uninspired afterthought.
– Tom Russo,
Boston Globe,
27 Feb 2012
rotten:
Gifted and sincere as she always is, there's not much Ms. Seyfried can do with this tripe.
– Rex Reed,
New York Observer,
29 Feb 2012
rotten:
Everything about 'Gone' has the plasticy, leatherette feel of an imitation thriller.