A smart, resourceful, and wickedly funny teen-horror film that reinvents the werewolf myth as a potent metaphor for pubescent angst and humiliation.
Ginger Snaps
They don't call it the curse for nothing.
2000 · 1h 48m · Not Rated
Fantasy, Horror
Directed by
John Fawcett
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Ginger Snaps
Overview
The story of two outcast sisters, Ginger and Brigitte, in the mindless suburban town of Bailey Downs. On the night of Ginger's first period, she is savagely attacked by a wild creature. Ginger's wounds miraculously heal but something is not quite right. Now Brigitte must save her sister and save herself.
Director and cast
- John Fawcett Director
- Katharine Isabelle as Ginger Fitzgerald
- Emily Perkins as Brigitte Fitzgerald
- Kris Lemche as Sam
- Mimi Rogers as Pamela Fitzgerald
- Jesse Moss as Jason McCardy
- Danielle Hampton as Trina Sinclair
- John Bourgeois as Henry Fitzgerald
- Peter Keleghan as Mr. Wayne
- Christopher Redman as Ben
- Jimmy MacInnis as Tim
Critics on Rotten Tomatoes
Top critics, in their words
A quietly subversive my-sister-is-turning-into-a-werewolf movie that doesn't wimp out at the end.
This isn't just a good horror movie, it's a good movie. Period.
The ideas are thin, and the scene-by-scene execution of them is bumbling.
A superbly realized take on the perils of being different in a world that demands conformity.
More films
Ginger Snaps 2: Unleashed (2004)
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Black Swan (2010)
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Ginger Snaps Back: The Beginning (2004)
Fantasy · Horror · R
Set in 19th Century Canada, Brigitte and her sister Ginger take refuge in a Traders' Fort which later becomes under siege by some savage werewolves. But when one of the girls is bitten, they have no one to turn to but themselves.
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An American Werewolf in London (1981)
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Rail (1967)
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"Rail" captures British Railways at a major turning-point in its history. In certain respects, this was a period of considerable upheaval and loss. There was a facing-up to the increasing need for a big modernisation drive. Full and speedy electrification, or the wider promotion of diesel-power on remaining lines, became a matter of to...
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