In trying to both inflame and indict our morbid curiosity, Elliott fails to make the needed connection between the audience and a peeper who has lost his moral balance.
– Peter Travers,
Rolling Stone,
11 May 2001
rotten:
It's late January, winter is entrenched, and in the lull between the bounty of Christmas and the renewal of spring, the big screen can sometimes seem barren -- a movable famine.
– Rick Groen,
Globe and Mail,
5 Apr 2002
rotten:
Remove the directorial flash and filigree, and its narrative would be easier to track.
– Jeff Millar,
Houston Chronicle,
21 Jul 2005
rotten:
As misogynistic as anything I've seen in ages, it's tricked up with enough fancy cinematography (by Guy Dufaux) to guarantee it sub-Hitchcockian credentials of the sort that some reviewers eagerly hand out to Brian De Palma.