Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, Ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.
A film whose eerie blend of deadpan wit and inner angst upset all your expectations.
– Michael Wilmington,
Chicago Tribune,
24 Apr 2003
fresh:
Suleiman's argument seems to be that the situation between Palestinians and Israelis has settled into an hopeless stalemate, in which everyday life incorporates elements of paranoia, resentment and craziness.
– Roger Ebert,
Chicago Sun-Times,
25 Apr 2003
fresh:
Simmering, sharply observed work.
– Ty Burr,
Boston Globe,
25 Apr 2003
fresh:
It makes for an intriguing example of how to use art, rather than bombs, to make a sustained political point.
– Chris Vognar,
Dallas Morning News,
8 May 2003
fresh:
The visual puns, sight gags and the little parables told by the few speaking characters are rarely laugh-out-loud funny. But they provoke thought, debate and diverse interpretations.