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A mysterious loner rides into a small town carrying the body of a sought-after outlaw. But after he gambles his bounty away in a card game with the sheriff, he must devise a scheme to reclaim the dead man.
Top critics, in their words
Summer Love is fraught with feverish moods, bold imagination and a devilishly complicated exploration of the genre's iconography. It is also maddeningly paced, often like watching paint dry, albeit paint that's the garish tones of buckets of blood.
Summer Love feels more like a haphazard assembly of loose-knit components, jumbled together with obvious affinity for all varieties of a distinctly American genre.
By eschewing any attempt at storytelling or character development, a film with all of the Western's fecund imagery and putrid fumes still ends up feeling as flat and distant as a gallery wall.
This pierogi western disassembles the genre mechanics of the gunslinger movie and makes a Dada collage of its gears and springs.
Summer Love has been called the first Polish western and the first Polish spaghetti western, though the truer description might be the first deconstructed art western.
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