A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
Inevitably a melancholy film, but a memorable one as well.
– Kenneth Turan,
Los Angeles Times,
13 Feb 2001
rotten:
Godard sets interesting scenes, with provocative color combinations and a suggestive pictorial flow. But out of it all comes nothing -- or very little that tells you why this wife is so contemptuous of her husband. Maybe he should be contemptuous of her!
– Bosley Crowther,
New York Times,
20 May 2003
fresh:
Godard has finally dared to get serious, achieving not mock pathos but a perfect tragedy.
– Joshua Rothkopf,
Time Out New York,
14 Mar 2008
fresh:
What's the price of selling out? Contempt asks the question of its characters, its audience, and its own director.
– Ty Burr,
Boston Globe,
11 Apr 2008
fresh:
Possibly Godard's most melancholy film and probably his most beautiful ...