Private eye Jake Gittes lives off of the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
A new private-eye melodrama that celebrates not only a time and a place (Los Angeles) but also a kind of criminality that to us jaded souls today appears to be nothing worse than an eccentric form of legitimate private enterprise.
– Vincent Canby,
New York Times,
20 May 2003
fresh:
In 1974 a director, a screenwriter, and a producer (Robert Evans, who for once deserves a few of the plaudits he's apportioned himself) could decide to beat a genre senseless and then dump it in the wilds of Greek tragedy.
– Jessica Winter,
Village Voice,
5 Aug 2003
fresh:
Polanski's film suggests that the rules of the game are written in some strange, untranslatable language, and that everyone's an alien and, ultimately, a victim.
– Don Druker,
Chicago Reader,
27 Mar 2009
fresh:
Roman Polanski's American made film, first since Rosemary's Baby shows him again in total command of talent and physical filmmaking elements.
– A.D. Murphy,
Variety,
27 Mar 2009
rotten:
As much as I admire the work of both Polanski and Nicholson, I found Chinatown tedious from beginning to just before the end.