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Chicago
If you can't be famous, be infamous.
If you can't be famous, be infamous.
Comedy, Crime, Drama - 2002
7.2
86%
81
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Director:
Chicago
Moulin Rouge!
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Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
Chicago
Burlesque
(2010)
The Burlesque Lounge has its best days behind it. Tess, a retired dancer and owner of the venue, struggles to keep the aging theater alive, facing all kinds of financial and artistic challenges. With the Lounge's troupe members becoming increasingly distracted by personal problems and a threat coming from a wealthy businessman's quest ...

Details

Rated:
PG-13
Runtime:
113 min
Release date:
10 Dec 2002
Country:
DE, CA, US
Languages:
Hungarian, English
Budget:
$45,000,000
Revenue:
$306,776,732
Awards:
Won 6 Oscars. 57 wins & 129 nominations total

Top Critics Reviews

fresh:
The song-and-dance numbers are calisthenic but unspectacular, with too much fast cutting, and the tone throughout is harmlessly facetious.
– Peter Rainer,
New York Magazine/Vulture,
24 Feb 2013
rotten:
The net effect of the incessant dazzle is depressing.
– Stanley Kauffmann,
The New Republic,
24 Feb 2013
fresh:
Rob Marshall's screen version of the near-venerable show looks great, in its razzly-dazzly neo-Fosse way, and sounds good, especially when Renee Zellweger's gorgeous Roxie Hart is singing her heart out.
– Joe Morgenstern,
Wall Street Journal,
12 Feb 2014
fresh:
With performers as good as these and the freshness of Bill Condon's screenplay and Marshall's direction, there's really very little wrong with Chicago. What it lacks is something intangible -- heat.
– Ben Nuckols,
Associated Press,
12 Feb 2014
fresh:
As sentimental as a plywood casket, Chicago has satirical bite and a mean wit that somehow never obscures its characters' unlikely likability.
– Keith Phipps,
AV Club,
12 Feb 2014
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