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Body and Soul

Drama - 1925
Body and Soul
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A convict escapes to a Southern town and passes himself off as a reverend, giving him the perfect cover to swindle the townspeople and corrupt an innocent young woman.
Director:
Metropolis
Metropolis
(1927)
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
The Cabinet of Dr. Caligari
The Cabinet of Dr. Caligari
(1920)
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
People on Sunday
People on Sunday
(1930)
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
The Passion of Joan of Arc
The Passion of Joan of Arc
(1928)
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opt...
Faust
Faust
(1926)
Murnau’s epic adaptation of Goethe’s tragedy stands with Fritz Lang’s Metropolis among the supreme achievements of German silent cinema. Gösta Ekman plays the alchemist who, his faith shaken in a time of plague, is offered the gift of healing and eternal youth… in exchange for his soul.

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Details

Runtime:
94 min
Release date:
9 Nov 1925
Country:
US
Languages:
xx
Budget:
$0
Revenue:
$0
Awards:
1 win

Top Critics Reviews

fresh:
One of the revelations of this 1924 feature by pioneer black filmmaker Oscar Micheaux is that, in contrast to the faltering technique and garbled film syntax of his sound pictures, he was stylistically assured as a silent director.
– Jonathan Rosenbaum,
Chicago Reader,
9 Feb 2007
fresh:
Robeson radiates the roguish charm and dangerous looming ferocity of a master con man with a scary streak of violence. Like his singing, Robeson's acting has stature. It is larger than life.
– Stephen Holden,
New York Times,
25 Mar 2006
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