Finally released from prison, Elwood Blues is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops.
Once the new sequel gets past its cumbersome plotting and gets down to its music, it overrides the temptation to suggest buying the soundtrack recording and forgetting the rest.
– Lawrence Van Gelder,
New York Times,
1 Jan 2000
rotten:
'I always thought there was another story to be told,' Landis says in the film's notes. Fine; then tell one.
– Roger Ebert,
Chicago Sun-Times,
1 Jan 2000
fresh:
It's a pity the film doesn't respect the art of acting as much as that of music.