Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.
Such a completely realized example of the Ozu art that it seems impossible he did not intend it to be a kind of testament.
– ,
New York Times,
9 May 2005
fresh:
Stylistically it's one of Ozu's purest, most elemental works: no camera movement, very little movement within the frames, and hardly any apparent narrative progression.
– Dave Kehr,
Chicago Reader,
1 Jan 2000
fresh:
Only this film and Good Morning were made in colour, but Ozu applies it here with great care and precision, another mark of his sublime philosophical and cinematic continuity.
– Geoff Andrew,
Time Out,
24 Jun 2006
rotten:
This view of contemporary middle class life in Japan is too leisurely paced, too sentimental in design and its humorous social comments too infrequent.
– Variety Staff,
Variety,
26 Mar 2009
fresh:
The fatal bargain of old age has rarely been observed as sharply as in Yasujiro Ozu's last film, from 1962.