Millionaire industrialist Steven Taylor is a man who has everything but what he craves most: the love and fidelity of his wife. A hugely successful player in the New York financial world, he considers her to be his most treasured acquisition. But she needs more than simply the role of dazzling accessory.
...a fast-paced thriller that probably will leave Alfred Hitchcock aficionados mourning its shallowness -- but not until after they've enjoyed an adrenaline rush.
– Jeff Strickler,
Minneapolis Star Tribune,
6 Nov 2002
rotten:
None of the amusement gained in watching the performances, unfortunately, amounts to much, as the script, in a desperate attempt to lend action interest to the original, static, puzzle plot, compounds surprise turn after surprise turn.
– Liam Lacey,
Globe and Mail,
12 Apr 2002
fresh:
What the film lacks is suspense, surprise (the new ending is a dud) and passion.
– Peter Travers,
Rolling Stone,
5 Jun 2001
rotten:
A Perfect Murder begins better than it ends, and the pleasures it offers turn out to be more of a transitory nature.
– Kenneth Turan,
Los Angeles Times,
14 Feb 2001
fresh:
His [Davis] direction is swift and very effective, and the movie, shot in shades of ebony (the color of black marble), looks exceptionally handsome.