In a sleepy bedroom community of LA's San Fernando Valley, the murder of a professional athlete by two hit men sets into motion a chain of events that puts the mundane lives of a dozen residents on a collision course. This clever tale tells the story of two hit men, a mistress, a nurse, a vindictive ex-wife, a wealthy art dealer and his lovelorn assistant, a suicidal writer and his dog, and a bitter cop and his partner.
To the director's credit, the actors all seem responsive to his touch, giving performances that are lively and flavorsome, if not deep or unlike anything each of them has done before.
– Todd McCarthy,
Variety,
16 Apr 2008
rotten:
Herzfeld has a tolerable eye for filling a 'Scope frame but a tin ear when it comes to creating dialogue; these are all characters we've met before, and most even seem bored with themselves.
– Jonathan Rosenbaum,
Chicago Reader,
16 Apr 2008
fresh:
A sleek, amusingly nasty screen debut by a film maker whose television credits include an Amy Fisher docudrama.
– Stephen Holden,
New York Times,
20 May 2003
fresh:
Funny, pathetic, sad, absurdist -- writer-director John Herzfeld plays it any number of ways, and makes them all work.
– Mick LaSalle,
San Francisco Chronicle,
18 Jun 2002
fresh:
There are too many characters, but some are a lot of fun. The tone shifts, from graphic murder to wig-flipping farce, are too extreme, but much of it works.